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Top 5 Fonts to Look for on Premade Book Cover Designs Online

Top 5 Fonts to Look for on Premade Book Cover Designs Online
Front view of single blank book in cardboard box cover isolated on white background

There’s no greater decision you can make when designing your book than choosing the typeface for the body. A book, by its very nature is a long-reading experience. As book publishers we want our publications to be as simple to read as we can but still conveying the writer’s intention.
Fashion and style contribute to design concepts, especially in the popular niches. The cumulative expectations of 500 years of readers also play a role. Books are fairly standard objects at the very least.

Certain fonts lend themselves to book layouts while others that be attractive in a brochure or billboards or business cards are a bit jarring, hard to read books. Any oddity in the design is amplified because of the repetition of typing 7,5,000 and 100,000 characters across thousands of lines across many pages.

The choice of the typeface you use is huge when you begin to create your book. Below are five fonts that are now a favorite and are almost always good in your books, too.

Garamond is named for the famous 16th century French “punch-cutter” or type designer Claude Garamond, many versions of this classic typeface are in existence. The most used currently is the one designed by Robert Slimbach for Adobe. It is renowned for its elegant flowing style, fluid design and humanistic style.

Janson: Designed and developed by the Hungarian Nicholas Kis in the 17th century The design was incorrectly believed to be the work of Dutch printing master Anton Janson. It’s a robust and attractive face, with a distinct contrast between thick and thin strokes. It is the most sought-after text typeface for the fine bookmaking.

Bembo: Bembo, another typeface that was designed in the past was inspired by the work of Francesco Griffo, who worked with the famous late printers and publishers Aldus Manutius during the time of Aldus Manutius in Venice during the 15th and 16th century. It was a deliberate attempt to bring the humanist style of the most renowned writers of the time to the printed page. It also was the primary source of inspiration for Claude Garamond, among others. Bembo is a classic in elegance and readability that is unbeatable.

Caslon One of the most well-known text typefaces from between the 19th and 18th century, Caslon was created by William Caslon in England in the 18th century in the beginning. A traditional-looking typeface that was modeled after the early Dutch designs, Caslon has an appealing unevenness and distinctive look on the paper. A lot of people recognize Caslon because of its frequent application in the textbook.

Electra The design was created in 1935 created by the prolific type designer D.W. Dwiggins, Electra gives a distinctive “color” and evenness on the printed page. The designer who invented it stated that it was his intention for Electra to be the best at laying the tone of human thought as well as to add an air of personality and blood.

While it’s possible to make a book full of examples of the best fonts for text however, professionals can restrict their work to these five fonts. They will continue to design amazing and diverse interior book designs, for many years to be. If you don’t want to bother designing your book cover, we recommend this website for premade book cover designs:


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